Report Code: CMI46827

Published Date: April 2024

Pages: 320+

Category: Technology

Report Snapshot

CAGR: 7.1%
56,125.8M
2023
60,110.7M
2024
111,444.1M
2033

Source: CMI

Study Period: 2024-2033
Fastest Growing Market: Asia-Pacific
Largest Market: Europe

Major Players

  • Eventbrite
  • StubHub (owned by eBay)
  • AXS
  • Ticketek
  • TicketIQ
  • Vivid Seats
  • Others

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Reports Description

As per the current market research conducted by the CMI Team, the global Online Event Ticketing Market is expected to record a CAGR of 7.1% from 2024 to 2033. In 2024, the market size is projected to reach a valuation of USD 60,110.7 Million. By 2033, the valuation is anticipated to reach USD 111,444.1 Million.

The online event ticketing market encompasses digital platforms that facilitate purchasing and distributing tickets for various events, including concerts, sports games, conferences, and cultural festivals. These platforms provide users convenient access to event information, seating options, and secure payment processing, enhancing ticket purchasing experience.

With the widespread adoption of smartphones and internet access, online ticketing has become increasingly popular, offering flexibility and convenience to both event organizers and attendees. The market is characterized by continuous technological advancements, dynamic pricing strategies, and a shift towards virtual and hybrid event formats, reflecting evolving consumer preferences and industry trends.

Online Event Ticketing Market – Significant Growth Factors

The Online Event Ticketing Market presents significant growth opportunities due to several factors:

  • Technological Advancements: Continuous innovations in technology, including mobile ticketing, AI-driven personalization, and enhanced user interfaces, are driving the growth of the online event ticketing market. These advancements improve the ticket purchasing experience, increase accessibility, and enable platforms to offer a wider range of services to users.
  • Changing Consumer Behavior: Increasing internet penetration and smartphone usage has led to a shift in consumer behavior towards online shopping, including ticket purchases. Consumers seek convenience, flexibility, and instant access to event information, driving the demand for online ticketing platforms.
  • Globalization of Events: The globalization of events and cultural exchanges has expanded the reach of online ticketing platforms beyond regional boundaries. Consumers can now access tickets for events happening across the globe, driving international sales and fostering cross-cultural experiences.
  • Rise of Virtual Events: The COVID-19 pandemic accelerated the adoption of virtual event formats, prompting event organizers to leverage online ticketing platforms to host virtual conferences, concerts, and workshops. The shift towards virtual events presents new revenue opportunities for online ticketing platforms and expands their market reach.
  • expansion into Emerging Markets: There is significant growth potential for online event ticketing platforms in emerging markets where internet penetration is increasing rapidly. By expanding their presence in these regions and catering to local preferences, platforms can tap into new customer bases and drive market growth.
  • Integration with Live Streaming Platforms: With the rise of virtual events, there is an opportunity for online ticketing platforms to integrate with live-streaming platforms to offer comprehensive event experiences. By providing seamless ticketing and streaming solutions, platforms can enhance the virtual event experience for attendees and organizers alike, unlocking new revenue streams.

Online Event Ticketing Market – Mergers and Acquisitions

The Online Event Ticketing Market has seen several mergers and acquisitions in recent years, with companies seeking to expand their market presence and leverage synergies to improve their product offerings and profitability. Some notable examples of mergers and acquisitions in the Online Event Ticketing Market include:

  • In 2023, Seat Unique secured EUR 7 million (USD 9 million) in its series A funding round, following EUR 30 million (USD 32.6 million) in ticket sales. With 40+ UK venue collaborations, the platform offers VIP access to sports events like The Ashes 2023, Premier League, Formula 1, and Wimbledon, expanding into new sectors and markets.
  • In 2023, TicketRev debuts its mobile app with USD 1.1 million in pre-seed funding. The platform revolutionizes ticket sales by empowering fans to set prices and seating preferences. This innovative approach helps sellers liquidate unsold inventory while expanding the platform’s reach.
  • In 2023, Jackpot.com expands into the Texas market with USD 42 million in funding from major sports franchises. Strategic marketing partnerships with teams like the San Antonio Spurs, Houston Rockets, and Dallas Cowboys will introduce targeted promotions and cross-promotion through various channels, including radio, internet, and billboards.

These mergers and acquisitions have helped companies expand their product offerings, improve their market presence, and capitalize on growth opportunities in the Online Event Ticketing Market. The trend is expected to continue as companies seek to gain a competitive edge in the market.

COMPARATIVE ANALYSIS OF THE RELATED MARKET

Online Event Ticketing Market Sports Events Tickets Market Sports Events Market
CAGR 7.1% (Approx) CAGR 13.7% (Approx) CAGR 7.8% (Approx)
USD 111,444.1 Million by 2033 USD 45.6 Billion by 2033 USD 525,825.1 Million by 2033

Online Event Ticketing Market – Significant Threats

The Online Event Ticketing Market faces several significant threats that could impact its growth and profitability in the future. Some of these threats include:

  • Cybersecurity Risks: Online event ticketing platforms are vulnerable to cybersecurity threats such as data breaches, phishing attacks, and malware infections. Any compromise in the security of user data or payment information can severely damage trust and reputation, leading to loss of customers and legal consequences.
  • Competition from Scalpers and Resellers: Scalpers and ticket resellers exploit online platforms to purchase tickets in bulk and resell them at inflated prices, often depriving genuine fans of fair access to tickets. This practice not only undermines the credibility of online ticketing platforms but also poses a threat to customer trust and satisfaction.
  • Regulatory Compliance Challenges: Online event ticketing platforms must comply with various regulations and laws governing consumer protection, data privacy, and ticket resale practices. Failure to adhere to these regulations can result in fines, legal disputes, and reputational damage, posing a significant threat to the sustainability of the business.
  • Market Saturation and Consolidation: The online event ticketing market is becoming increasingly saturated with numerous platforms vying for market share. This saturation, coupled with consolidation through mergers and acquisitions, can lead to reduced competition, higher ticketing fees, and limited choices for consumers, posing a threat to market dynamics and consumer welfare.
  • Unforeseen External Factors: External factors such as natural disasters, pandemics, economic downturns, or political instability can disrupt the events industry and significantly impact ticket sales. Online event ticketing platforms are vulnerable to these external shocks, which can lead to revenue losses, decreased consumer confidence, and operational challenges.

Global Online Event Ticketing Market 2024–2033 (By Gender)

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Category-Wise Insights:

By Platform

  • Desktop: Desktop platforms refer to online event ticketing services accessed via personal computers or laptops. Despite the rise of mobile usage, desktop platforms remain crucial for users seeking detailed event information, seating charts, and complex transactions. Trends include responsive web design for seamless browsing, integration with social media for event discovery, and the optimization of user interfaces for intuitive navigation.
  • Mobile: Mobile platforms are online event ticketing services accessed through smartphones and tablets. With the increasing prevalence of mobile devices, mobile ticketing has become a dominant channel for event purchases. Trends include mobile-first design principles, mobile wallet integration for seamless transactions, and the development of dedicated mobile apps offering enhanced features such as geolocation-based event recommendations and real-time notifications.
  • Others: The “Others” segment in the online event ticketing market encompasses emerging platforms and technologies beyond desktop and mobile, such as smartwatches, voice assistants, and augmented reality (AR) devices. While these platforms currently have niche applications in event ticketing, trends include experimentation with AR-based ticketing experiences, voice-activated ticket purchases, and wearable ticketing solutions for seamless access control at events.

Global Online Event Ticketing Market 2024–2033 (By Platform)

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By Event Type

  • Sports: Sports events encompass a wide range of activities from professional leagues to amateur tournaments. In the online event ticketing market, sports tickets constitute a significant portion of sales. Trends include dynamic pricing for high-demand games, mobile ticketing adoption, and personalized fan experiences through loyalty programs.
  • Music: Music events cover concerts, music festivals, and live performances. Online ticketing platforms offer seamless access to tickets for music enthusiasts. Trends include virtual concerts, exclusive presale offers, and bundled ticket packages with merchandise.
  • Movies: Movie events include premieres, film festivals, and special screenings. Online ticketing for movies enables convenient booking and seat selection. Trends include early access screenings, digital movie rentals, and integration with streaming platforms for virtual movie events.
  • Others: This category encompasses a diverse range of events such as conferences, theater performances, and cultural festivals. Online ticketing platforms cater to various niche markets, offering tailored experiences and ticketing solutions. Trends include hybrid event formats, interactive virtual experiences, and targeted marketing campaigns for specific audience segments.

By Gender

  • Male: In the online event ticketing market, males often exhibit preferences for sports events, concerts, and tech conferences. Trends indicate a growing interest in live streaming of sports events and gaming tournaments, with platforms offering interactive experiences and exclusive content to cater to this demographic. Additionally, personalized recommendations and dynamic pricing strategies are gaining traction among male consumers, enhancing their overall ticket purchasing experience.
  • Female: Females in the online event ticketing market often show preferences for cultural festivals, music concerts, and wellness retreats. Trends indicate a rise in demand for virtual experiences such as online cooking classes, mindfulness workshops, and women-centric networking events. Platforms are increasingly focusing on offering diverse and inclusive event offerings, as well as implementing safety measures and flexible ticketing options to cater to female consumers’ needs and preferences.

Report Scope

Feature of the Report Details
Market Size in 2024 USD 60,110.7 Million
Projected Market Size in 2033 USD 111,444.1 Million
Market Size in 2023 USD 56,125.8 Million
CAGR Growth Rate 7.1% CAGR
Base Year 2023
Forecast Period 2024-2033
Key Segment By Platform, Event Type, Gender and Region
Report Coverage Revenue Estimation and Forecast, Company Profile, Competitive Landscape, Growth Factors and Recent Trends
Regional Scope North America, Europe, Asia Pacific, Middle East & Africa, and South & Central America
Buying Options Request tailored purchasing options to fulfil your requirements for research.

Online Event Ticketing Market – Regional Analysis

The Online Event Ticketing Market is segmented into various regions, including North America, Europe, Asia-Pacific, and LAMEA. Here is a brief overview of each region:

  • North America: In North America, online event ticketing trends are marked by a preference for live concerts, sports events, and technology conferences. There’s a growing demand for VIP experiences and exclusive access packages, driving revenue growth. Additionally, virtual reality (VR) and augmented reality (AR) technologies are gaining traction, enhancing the virtual event experience. Dynamic pricing strategies and personalized recommendations are also prevalent, catering to diverse consumer preferences.
  • Europe: In Europe, online event ticketing trends include a strong interest in cultural festivals, art exhibitions, and culinary events. Consumers prioritize sustainability and eco-friendly initiatives, leading to a rise in demand for green events and carbon-neutral practices. Multi-lingual support and seamless cross-border transactions are essential features, reflecting the diverse cultural landscape of the region. The popularity of package deals and bundled offerings is also observed, providing added value to attendees.
  • Asia-Pacific: In the Asia-Pacific region, online event ticketing trends are characterized by a surge in demand for music concerts, gaming tournaments, and food festivals. Mobile-first strategies dominate, with a significant portion of ticket purchases made through smartphones. Live streaming of events and virtual fan engagement initiatives are popular, catering to the tech-savvy audience. Localization of content and payment methods is key to success, considering the diverse cultural and linguistic preferences across the region.
  • LAMEA (Latin America, Middle East, and Africa): In LAMEA, online event ticketing trends revolve around vibrant cultural festivals, sports events, and entertainment shows. Social media integration is crucial for marketing and ticket sales, leveraging influencers and user-generated content to drive engagement. Flexible payment options, including mobile wallets and instalment plans, cater to the diverse economic landscape of the region. Localization of content and customer support services in multiple languages is essential for enhancing user experience and accessibility.

Global Online Event Ticketing Market 2024–2033 (By Million)

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Competitive Landscape – Online Event Ticketing Market

The Online Event Ticketing Market is highly competitive, with a large number of manufacturers and retailers operating globally. Some of the key players in the market include:

  • Ticketmaster (owned by Live Nation Entertainment)
  • Eventbrite
  • StubHub (owned by eBay)
  • AXS
  • Ticketek
  • TicketIQ
  • Vivid Seats
  • SeatGeek
  • TodayTix
  • TicketLeap
  • Ticketfly (owned by Eventbrite)
  • Brown Paper Tickets
  • Tixr
  • Tiqets
  • Universe (owned by Ticketmaster)
  • Others

These companies operate in the market through various strategies such as product innovation, mergers and acquisitions, and partnerships.

New players in the online event ticketing market, such as Tixi, GoEvent, and TicketSnatch, are leveraging innovative technologies and development strategies to enter the market. These companies are focusing on AI-driven personalization, mobile-first solutions, and seamless user experiences to differentiate themselves and capture market share.

However, key players like Ticketmaster, Eventbrite, and StubHub continue to dominate the market due to their established brand reputation, extensive event partnerships, and robust technology infrastructure. They maintain market dominance by offering comprehensive event solutions, diverse event offerings, and strategic acquisitions to expand their market reach and customer base.

The Online Event Ticketing Market is segmented as follows:

By Platform

  • Desktop
  • Mobile
  • Others

By Event Type

  • Sports
  • Music
  • Movies
  • Others

By Gender

  • Male
  • Female

Regional Coverage:

North America

  • U.S.
  • Canada
  • Mexico
  • Rest of North America

Europe

  • Germany
  • France
  • U.K.
  • Russia
  • Italy
  • Spain
  • Netherlands
  • Rest of Europe

Asia Pacific

  • China
  • Japan
  • India
  • New Zealand
  • Australia
  • South Korea
  • Taiwan
  • Rest of Asia Pacific

The Middle East & Africa

  • Saudi Arabia
  • UAE
  • Egypt
  • Kuwait
  • South Africa
  • Rest of the Middle East & Africa

Latin America

  • Brazil
  • Argentina
  • Rest of Latin America

Table of Contents

  • Chapter 1. Preface
    • 1.1 Report Description and Scope
    • 1.2 Research scope
    • 1.3 Research methodology
      • 1.3.1 Market Research Type
      • 1.3.2 Market Research Methodology
  • Chapter 2. Executive Summary
    • 2.1 Global Online Event Ticketing Market, (2024 – 2033) (USD Million)
    • 2.2 Global Online Event Ticketing Market: snapshot
  • Chapter 3. Global Online Event Ticketing Market – Industry Analysis
    • 3.1 Online Event Ticketing Market: Market Dynamics
    • 3.2 Market Drivers
      • 3.2.1 Technological Advancements
      • 3.2.2 Changing Consumer Behavior
      • 3.2.3 Globalization of Events
      • 3.2.4 Rise of Virtual Events
      • 3.2.5 expansion into Emerging Markets
      • 3.2.6 Integration with Live Streaming Platforms.
    • 3.3 Market Restraints
    • 3.4 Market Opportunities
    • 3.5 Market Challenges
    • 3.6 Porter’s Five Forces Analysis
    • 3.7 Market Attractiveness Analysis
      • 3.7.1 Market Attractiveness Analysis By Platform
      • 3.7.2 Market Attractiveness Analysis By Event Type
      • 3.7.3 Market Attractiveness Analysis By Gender
  • Chapter 4. Global Online Event Ticketing Market- Competitive Landscape
    • 4.1 Company market share analysis
      • 4.1.1 Global Online Event Ticketing Market: Company Market Share, 2023
    • 4.2 Strategic development
      • 4.2.1 Acquisitions & mergers
      • 4.2.2 New Product launches
      • 4.2.3 Agreements, partnerships, cullaborations, and joint ventures
      • 4.2.4 Research and development and Regional expansion
    • 4.3 Price trend analysis
  • Chapter 5. Global Online Event Ticketing Market – Platform Analysis
    • 5.1 Global Online Event Ticketing Market Overview: By Platform
      • 5.1.1 Global Online Event Ticketing Market Share, By Platform, 2023 and 2033
    • 5.2 Desktop
      • 5.2.1 Global Online Event Ticketing Market by Desktop, 2024 – 2033 (USD Million)
    • 5.3 Mobile
      • 5.3.1 Global Online Event Ticketing Market by Mobile, 2024 – 2033 (USD Million)
    • 5.4 Others
      • 5.4.1 Global Online Event Ticketing Market by Others, 2024 – 2033 (USD Million)
  • Chapter 6. Global Online Event Ticketing Market – Event Type Analysis
    • 6.1 Global Online Event Ticketing Market Overview: By Event Type
      • 6.1.1 Global Online Event Ticketing Market Share, By Event Type, 2023 and 2033
    • 6.2 Sports
      • 6.2.1 Global Online Event Ticketing Market by Sports, 2024 – 2033 (USD Million)
    • 6.3 Music
      • 6.3.1 Global Online Event Ticketing Market by Music, 2024 – 2033 (USD Million)
    • 6.4 Movies
      • 6.4.1 Global Online Event Ticketing Market by Movies, 2024 – 2033 (USD Million)
    • 6.5 Others
      • 6.5.1 Global Online Event Ticketing Market by Others, 2024 – 2033 (USD Million)
  • Chapter 7. Global Online Event Ticketing Market – Gender Analysis
    • 7.1 Global Online Event Ticketing Market Overview: By Gender
      • 7.1.1 Global Online Event Ticketing Market Share, By Gender, 2023 and 2033
    • 7.2 Male
      • 7.2.1 Global Online Event Ticketing Market by Male, 2024 – 2033 (USD Million)
    • 7.3 Female
      • 7.3.1 Global Online Event Ticketing Market by Female, 2024 – 2033 (USD Million)
  • Chapter 8. Online Event Ticketing Market – Regional Analysis
    • 8.1 Global Online Event Ticketing Market Regional Overview
    • 8.2 Global Online Event Ticketing Market Share, by Region, 2023 & 2033 (USD Million)
    • 8.3. North America
      • 8.3.1 North America Online Event Ticketing Market, 2024 – 2033 (USD Million)
        • 8.3.1.1 North America Online Event Ticketing Market, by Country, 2024 – 2033 (USD Million)
    • 8.4 North America Online Event Ticketing Market, by Platform, 2024 – 2033
      • 8.4.1 North America Online Event Ticketing Market, by Platform, 2024 – 2033 (USD Million)
    • 8.5 North America Online Event Ticketing Market, by Event Type, 2024 – 2033
      • 8.5.1 North America Online Event Ticketing Market, by Event Type, 2024 – 2033 (USD Million)
    • 8.6 North America Online Event Ticketing Market, by Gender, 2024 – 2033
      • 8.6.1 North America Online Event Ticketing Market, by Gender, 2024 – 2033 (USD Million)
    • 8.7. Europe
      • 8.7.1 Europe Online Event Ticketing Market, 2024 – 2033 (USD Million)
        • 8.7.1.1 Europe Online Event Ticketing Market, by Country, 2024 – 2033 (USD Million)
    • 8.8 Europe Online Event Ticketing Market, by Platform, 2024 – 2033
      • 8.8.1 Europe Online Event Ticketing Market, by Platform, 2024 – 2033 (USD Million)
    • 8.9 Europe Online Event Ticketing Market, by Event Type, 2024 – 2033
      • 8.9.1 Europe Online Event Ticketing Market, by Event Type, 2024 – 2033 (USD Million)
    • 8.10 Europe Online Event Ticketing Market, by Gender, 2024 – 2033
      • 8.10.1 Europe Online Event Ticketing Market, by Gender, 2024 – 2033 (USD Million)
    • 8.11. Asia Pacific
      • 8.11.1 Asia Pacific Online Event Ticketing Market, 2024 – 2033 (USD Million)
        • 8.11.1.1 Asia Pacific Online Event Ticketing Market, by Country, 2024 – 2033 (USD Million)
    • 8.12 Asia Pacific Online Event Ticketing Market, by Platform, 2024 – 2033
      • 8.12.1 Asia Pacific Online Event Ticketing Market, by Platform, 2024 – 2033 (USD Million)
    • 8.13 Asia Pacific Online Event Ticketing Market, by Event Type, 2024 – 2033
      • 8.13.1 Asia Pacific Online Event Ticketing Market, by Event Type, 2024 – 2033 (USD Million)
    • 8.14 Asia Pacific Online Event Ticketing Market, by Gender, 2024 – 2033
      • 8.14.1 Asia Pacific Online Event Ticketing Market, by Gender, 2024 – 2033 (USD Million)
    • 8.15. Latin America
      • 8.15.1 Latin America Online Event Ticketing Market, 2024 – 2033 (USD Million)
        • 8.15.1.1 Latin America Online Event Ticketing Market, by Country, 2024 – 2033 (USD Million)
    • 8.16 Latin America Online Event Ticketing Market, by Platform, 2024 – 2033
      • 8.16.1 Latin America Online Event Ticketing Market, by Platform, 2024 – 2033 (USD Million)
    • 8.17 Latin America Online Event Ticketing Market, by Event Type, 2024 – 2033
      • 8.17.1 Latin America Online Event Ticketing Market, by Event Type, 2024 – 2033 (USD Million)
    • 8.18 Latin America Online Event Ticketing Market, by Gender, 2024 – 2033
      • 8.18.1 Latin America Online Event Ticketing Market, by Gender, 2024 – 2033 (USD Million)
    • 8.19. The Middle-East and Africa
      • 8.19.1 The Middle-East and Africa Online Event Ticketing Market, 2024 – 2033 (USD Million)
        • 8.19.1.1 The Middle-East and Africa Online Event Ticketing Market, by Country, 2024 – 2033 (USD Million)
    • 8.20 The Middle-East and Africa Online Event Ticketing Market, by Platform, 2024 – 2033
      • 8.20.1 The Middle-East and Africa Online Event Ticketing Market, by Platform, 2024 – 2033 (USD Million)
    • 8.21 The Middle-East and Africa Online Event Ticketing Market, by Event Type, 2024 – 2033
      • 8.21.1 The Middle-East and Africa Online Event Ticketing Market, by Event Type, 2024 – 2033 (USD Million)
    • 8.22 The Middle-East and Africa Online Event Ticketing Market, by Gender, 2024 – 2033
      • 8.22.1 The Middle-East and Africa Online Event Ticketing Market, by Gender, 2024 – 2033 (USD Million)
  • Chapter 9. Company Profiles
    • 9.1 Ticketmaster (owned by Live Nation Entertainment)
      • 9.1.1 Overview
      • 9.1.2 Financials
      • 9.1.3 Product Portfolio
      • 9.1.4 Business Strategy
      • 9.1.5 Recent Developments
    • 9.2 Eventbrite
      • 9.2.1 Overview
      • 9.2.2 Financials
      • 9.2.3 Product Portfolio
      • 9.2.4 Business Strategy
      • 9.2.5 Recent Developments
    • 9.3 StubHub (owned by eBay)
      • 9.3.1 Overview
      • 9.3.2 Financials
      • 9.3.3 Product Portfolio
      • 9.3.4 Business Strategy
      • 9.3.5 Recent Developments
    • 9.4 AXS
      • 9.4.1 Overview
      • 9.4.2 Financials
      • 9.4.3 Product Portfolio
      • 9.4.4 Business Strategy
      • 9.4.5 Recent Developments
    • 9.5 Ticketek
      • 9.5.1 Overview
      • 9.5.2 Financials
      • 9.5.3 Product Portfolio
      • 9.5.4 Business Strategy
      • 9.5.5 Recent Developments
    • 9.6 TicketIQ
      • 9.6.1 Overview
      • 9.6.2 Financials
      • 9.6.3 Product Portfolio
      • 9.6.4 Business Strategy
      • 9.6.5 Recent Developments
    • 9.7 Vivid Seats
      • 9.7.1 Overview
      • 9.7.2 Financials
      • 9.7.3 Product Portfolio
      • 9.7.4 Business Strategy
      • 9.7.5 Recent Developments
    • 9.8 SeatGeek
      • 9.8.1 Overview
      • 9.8.2 Financials
      • 9.8.3 Product Portfolio
      • 9.8.4 Business Strategy
      • 9.8.5 Recent Developments
    • 9.9 TodayTix
      • 9.9.1 Overview
      • 9.9.2 Financials
      • 9.9.3 Product Portfolio
      • 9.9.4 Business Strategy
      • 9.9.5 Recent Developments
    • 9.10 TicketLeap
      • 9.10.1 Overview
      • 9.10.2 Financials
      • 9.10.3 Product Portfolio
      • 9.10.4 Business Strategy
      • 9.10.5 Recent Developments
    • 9.11 Ticketfly (owned by Eventbrite)
      • 9.11.1 Overview
      • 9.11.2 Financials
      • 9.11.3 Product Portfolio
      • 9.11.4 Business Strategy
      • 9.11.5 Recent Developments
    • 9.12 Brown Paper Tickets
      • 9.12.1 Overview
      • 9.12.2 Financials
      • 9.12.3 Product Portfolio
      • 9.12.4 Business Strategy
      • 9.12.5 Recent Developments
    • 9.13 Tixr
      • 9.13.1 Overview
      • 9.13.2 Financials
      • 9.13.3 Product Portfolio
      • 9.13.4 Business Strategy
      • 9.13.5 Recent Developments
    • 9.14 Tiqets
      • 9.14.1 Overview
      • 9.14.2 Financials
      • 9.14.3 Product Portfolio
      • 9.14.4 Business Strategy
      • 9.14.5 Recent Developments
    • 9.15 Universe (owned by Ticketmaster)
      • 9.15.1 Overview
      • 9.15.2 Financials
      • 9.15.3 Product Portfolio
      • 9.15.4 Business Strategy
      • 9.15.5 Recent Developments
    • 9.16 Others.
      • 9.16.1 Overview
      • 9.16.2 Financials
      • 9.16.3 Product Portfolio
      • 9.16.4 Business Strategy
      • 9.16.5 Recent Developments
List Of Figures

Figures No 1 to 25

List Of Tables

Tables No 1 to 77

Report Methodology

In order to get the most precise estimates and forecasts possible, Custom Market Insights applies a detailed and adaptive research methodology centered on reducing deviations. For segregating and assessing quantitative aspects of the market, the company uses a combination of top-down and bottom-up approaches. Furthermore, data triangulation, which examines the market from three different aspects, is a recurring theme in all of our research reports. The following are critical components of the methodology used in all of our studies:

Preliminary Data Mining

On a broad scale, raw market information is retrieved and compiled. Data is constantly screened to make sure that only substantiated and verified sources are taken into account. Furthermore, data is mined from a plethora of reports in our archive and also a number of reputed & reliable paid databases. To gain a detailed understanding of the business, it is necessary to know the entire product life cycle and to facilitate this, we gather data from different suppliers, distributors, and buyers.

Surveys, technological conferences, and trade magazines are used to identify technical issues and trends. Technical data is also gathered from the standpoint of intellectual property, with a focus on freedom of movement and white space. The dynamics of the industry in terms of drivers, restraints, and valuation trends are also gathered. As a result, the content created contains a diverse range of original data, which is then cross-validated and verified with published sources.

Statistical Model

Simulation models are used to generate our business estimates and forecasts. For each study, a one-of-a-kind model is created. Data gathered for market dynamics, the digital landscape, development services, and valuation patterns are fed into the prototype and analyzed concurrently. These factors are compared, and their effect over the projected timeline is quantified using correlation, regression, and statistical modeling. Market forecasting is accomplished through the use of a combination of economic techniques, technical analysis, industry experience, and domain knowledge.

Short-term forecasting is typically done with econometric models, while long-term forecasting is done with technological market models. These are based on a synthesis of the technological environment, legal frameworks, economic outlook, and business regulations. Bottom-up market evaluation is favored, with crucial regional markets reviewed as distinct entities and data integration to acquire worldwide estimates. This is essential for gaining a thorough knowledge of the industry and ensuring that errors are kept to a minimum.

Some of the variables taken into account for forecasting are as follows:

• Industry drivers and constraints, as well as their current and projected impact

• The raw material case, as well as supply-versus-price trends

• Current volume and projected volume growth through 2033

We allocate weights to these variables and use weighted average analysis to determine the estimated market growth rate.

Primary Validation

This is the final step in our report’s estimating and forecasting process. Extensive primary interviews are carried out, both in-person and over the phone, to validate our findings and the assumptions that led to them.
Leading companies from across the supply chain, including suppliers, technology companies, subject matter experts, and buyers, use techniques like interviewing to ensure a comprehensive and non-biased overview of the business. These interviews are conducted all over the world, with the help of local staff and translators, to overcome language barriers.

Primary interviews not only aid with data validation, but also offer additional important insight into the industry, existing business scenario, and future projections, thereby improving the quality of our reports.

All of our estimates and forecasts are validated through extensive research work with key industry participants (KIPs), which typically include:

• Market leaders

• Suppliers of raw materials

• Suppliers of raw materials

• Buyers.

The following are the primary research objectives:

• To ensure the accuracy and acceptability of our data.

• Gaining an understanding of the current market and future projections.

Data Collection Matrix

Perspective Primary research Secondary research
Supply-side
  • Manufacturers
  • Technology distributors and wholesalers
  • Company reports and publications
  • Government publications
  • Independent investigations
  • Economic and demographic data
Demand-side
  • End-user surveys
  • Consumer surveys
  • Mystery shopping
  • Case studies
  • Reference customers


Market Analysis Matrix

Qualitative analysis Quantitative analysis
  • Industry landscape and trends
  • Market dynamics and key issues
  • Technology landscape
  • Market opportunities
  • Porter’s analysis and PESTEL analysis
  • Competitive landscape and component benchmarking
  • Policy and regulatory scenario
  • Market revenue estimates and forecast up to 2033
  • Market revenue estimates and forecasts up to 2033, by technology
  • Market revenue estimates and forecasts up to 2033, by application
  • Market revenue estimates and forecasts up to 2033, by type
  • Market revenue estimates and forecasts up to 2033, by component
  • Regional market revenue forecasts, by technology
  • Regional market revenue forecasts, by application
  • Regional market revenue forecasts, by type
  • Regional market revenue forecasts, by component

Prominent Player

  • Ticketmaster (owned by Live Nation Entertainment)
  • Eventbrite
  • StubHub (owned by eBay)
  • AXS
  • Ticketek
  • TicketIQ
  • Vivid Seats
  • SeatGeek
  • TodayTix
  • TicketLeap
  • Ticketfly (owned by Eventbrite)
  • Brown Paper Tickets
  • Tixr
  • Tiqets
  • Universe (owned by Ticketmaster)
  • Others

FAQs

The key factors driving the Market are Technological Advancements, Changing Consumer Behavior, Globalization of Events, Rise of Virtual Events, expansion into Emerging Markets, Integration with Live Streaming Platforms.

The “Sports” category dominated the market in 2023.

The key players in the market are Ticketmaster (owned by Live Nation Entertainment), Eventbrite, StubHub (owned by eBay), AXS, Ticketek, TicketIQ, Vivid Seats, SeatGeek, TodayTix, TicketLeap, Ticketfly (owned by Eventbrite), Brown Paper Tickets, Tixr, Tiqets, Universe (owned by Ticketmaster), Others.

“North America” had the largest share in the Online Event Ticketing Market.

The global market is projected to grow at a CAGR of 7.1% during the forecast period, 2024-2033.

The Online Event Ticketing Market size was valued at USD 60,110.7 Million in 2024.

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